Jayne Moore Waldrop’s “Drowned Town” makes no qualms about how much value people put into a sense of place.
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Jayne Moore Waldrop’s “Drowned Town” makes no qualms about how much value people put into a sense of place.
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A review of Mary Adkins’ novel, “Palm Beach.”
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Maris Lawyer’s debut novel, “The Blue Line Down,” is set in 1920s Appalachia, featuring coal miners, union busters, and bootleggers.
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M. O. Walsh’s recent novel, “The Big Door Prize,” is set in Deerfield, Louisiana, featuring a new machine that promises to reveal life’s purpose for the townspeople.
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With his debut novel “The Big Empty,” Steffy carves out a niche in the fiction genre and fills it with his insight — enlightening and grim — on the American way of making a living, including the kind involving “coming home caked in sweat and dirt and animal [dung] every night.”
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A review of Will Leitch’s recent coming-of-age mystery novel, “How Lucky,” set in Athens, Georgia.
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An interview with KT Sparks on her recent novel “Four Dead Horses.”
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Babette Fraser Hale’s short story collection, “A Wall of Bright Dead Feathers,” is set in the countryside of central Texas.
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Larry D. Thacker’s short story collection “Working It Off in Labor County” is tender in its depiction of rural American ennui and mordant in its portrayal of colorful go-getters in a patch of coal country.
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Ed Tarkington’s new novel “The Fortunate Ones” points out the chinks in the gilded armor adorning – and weighing down – followers of the cult of wealth.
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