“The Cracks We Bear” by Catalina Infante (translated by Michelle Mirabella) asks incisive questions about mothering, both the act of being mothered and that of becoming one.
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At the core of this collection is Wade’s complex relationship with his father, whose presence is at once both painful and familiar.
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An interview with poet Asa Drake on her collection, “Maybe the Body.”
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“It is sad to not have a mother… But sadness is one thing. Grief is another.”
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A roundup of some of the best Southern books released in February 2026.
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A review of Jeff Pearlman’s “Only God Can Judge Me: The Many Lives of Tupac Shakur.”
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For fans of Yaa Gyasi and Chimamanda Ngozie Adichie, this novel’s fresh and poignant writing is storytelling at its finest.
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An interview with Lolita Stewart-White about her poetry collection, “black frag/ments.”
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Michelle Peñaloza’s second full-length collection, “All the Words I Can Remember Are Poems,” reminds us of the function of poems: to record, to remember, to share.
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An estranged mother and daughter reconnect while hunting treasure in the Utah desert in this complex debut from Kathleen Boland.
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SRB editor Anna Harris-Parker talks about the books she found in the bargain bin that are now part of her 2026 year in books.
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Southern Review of Books 