A review of Karen Salyer McElmurray’s new memoir, “Voice Lessons.”
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A review of Karen Salyer McElmurray’s new memoir, “Voice Lessons.”
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Elizabeth Gilpin’s “Stolen” is a firsthand account of one woman’s experience in the troubled teen industry.
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Yaa Gyasi’s novel, “Transcendent Kingdom,” features characters and experiences that are layered, complex, and diverse.
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A review of “Teaching When the World is on Fire,” a collection of essays edited by Lisa Delpit.
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A review of Julie Murphy’s new novel, “Pumpkin.”
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A review of Casey McQuiston’s sophomore novel, “One Last Stop.”
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A review of Kristen Arnett’s new novel, “With Teeth.”
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With his debut novel “The Big Empty,” Steffy carves out a niche in the fiction genre and fills it with his insight — enlightening and grim — on the American way of making a living, including the kind involving “coming home caked in sweat and dirt and animal [dung] every night.”
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V. Castro’s novel “The Queen of the Cicadas” demonstrates commitment to the pulpy heart of horror fiction.
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A review of Nora Seton’s first novel, “Che and the Calaway Girls.”
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