A review of Connor Towne O’Neill’s book, ‘Down Along with That Devil’s Bones: A Reckoning with Monuments, Memory, and the Legacy of White Supremacy.’
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A review of Connor Towne O’Neill’s book, ‘Down Along with That Devil’s Bones: A Reckoning with Monuments, Memory, and the Legacy of White Supremacy.’
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Denise Duhamel’s latest collection, “Second Story,” is poetry of its time, addressing gun violence, white privilege, aging, and Covid-19.
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Darrin Doyle’s new story collection, “The Big Baby Crime Spree,” is filled with quirky, dislikeable, but not necessarily unlikeable, characters.
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A review of Stacy D. Flood’s new novella, “The Salt Fields.”
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Brenda Navarro’s book “Empty Houses,” translated by Sophie Hughes, is at once a dialectic on motherhood and a modern-day fairytale.
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“The Opioid Epidemic,” edited by Travis D. Stimeling, is a collection of essays expanding the conversation surrounding opioid addiction.
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Brandon Taylor’s debut novel, “Real Life,” precisely captures both the dreamy atmosphere and gritty competitiveness of graduate school with stunning grace.
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A review of McKenzie Cassidy’s debut coming-of-age novel, ‘Here Lies a Father.’
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A review of Angie Thomas’ latest, “Concrete Rose.”
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Taylor Johnson’s “Inheritance” is a collection of poetry of listening and watching.
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