A review of “Old Enough: Southern Women Artists and Writers on Creativity and Aging,” edited by Jay Lamar and Jennifer Horne with Wendy Reed and Lamar Jackson.
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A review of “Old Enough: Southern Women Artists and Writers on Creativity and Aging,” edited by Jay Lamar and Jennifer Horne with Wendy Reed and Lamar Jackson.
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Rachel Louise Snyder’s memoir, “Women We Buried, Women We Burned,” is about grief and its reverberations, but also about re-making.
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A review of the PBS documentary series, “The Express way with Dulé Hill.”
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A few of SRB Editor Amy Martin’s favorite books and shows featuring complicated, unruly, messy women.
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A review of Lydia Davis’ new collection, “Our Strangers.”
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“As If She Had A Say” uses magical realism and fantastical elements to critique patriarchy in this genre-bending collection.
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A review of “Southern Storytellers,” a documentary series on contemporary Southern artists on PBS.
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“We Are Too Many” by Hannah Pittard is a genre-busting memoir investigating the failure of her marriage after her husband has an affair with her best friend.
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A review of “Tip of the Tongue: Reflections on Language and Meaning” by Peter Brook.
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Grady Hendrix’s “How to Sell a Haunted House” is a good old-fashioned ghost story, a gothic thrill ride.
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