A review of Siew Hii’s “Entered Some Aliens.”
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A review of Siew Hii’s “Entered Some Aliens.”
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DéLana R.A. Dameron’s second novel, Fairfield County, published posthumously, spans four generations of Black horsemen and -women, from 1937 to 2014.
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A review of Louise Marburg’s “Fancy Meeting You.”
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A review of Ann Patchett’s “Whistler.”
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A review of the film “Project Hail Mary,” based on the novel by Andy Weir.
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The stories in Rachel Reeher’s debut collection underscore the gap that often exists between appearance and reality.
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A review of Meg Shaffer’s “The Book Witch.”
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Former poet laureate of Mississippi, Beth Ann Fennelly, maven of the micro-memoir, has done it again with “The Irish Goodbye: Micro-Memoirs.”
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The philosophical takes in Alison Gunn’s “Nowhere” combines small-town dynamics with all the best components of horror writing to create a genre-bending page turner.
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A review of Burnside Soleil’s debut poetry collection, “Berceuse Parish.”
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