The stories in Rachel Reeher’s debut collection underscore the gap that often exists between appearance and reality.
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The stories in Rachel Reeher’s debut collection underscore the gap that often exists between appearance and reality.
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A review of Meg Shaffer’s “The Book Witch.”
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Former poet laureate of Mississippi, Beth Ann Fennelly, maven of the micro-memoir, has done it again with “The Irish Goodbye: Micro-Memoirs.”
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The philosophical takes in Alison Gunn’s “Nowhere” combines small-town dynamics with all the best components of horror writing to create a genre-bending page turner.
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A review of Burnside Soleil’s debut poetry collection, “Berceuse Parish.”
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In The Best Little Motel in Texas, Lyla Lane brings together the most delightful tropes from cozy mystery and romantic comedy while adding a slight twist to each.
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A review of the Broadway play, “Stranger Things: The First Shadow.”
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At the core of this collection is Wade’s complex relationship with his father, whose presence is at once both painful and familiar.
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A review of Jeff Pearlman’s “Only God Can Judge Me: The Many Lives of Tupac Shakur.”
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For fans of Yaa Gyasi and Chimamanda Ngozie Adichie, this novel’s fresh and poignant writing is storytelling at its finest.
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