The philosophical takes in Alison Gunn’s “Nowhere” combines small-town dynamics with all the best components of horror writing to create a genre-bending page turner.
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The philosophical takes in Alison Gunn’s “Nowhere” combines small-town dynamics with all the best components of horror writing to create a genre-bending page turner.
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Mlinko’s poems are meditative spaces where loss, grief, acceptance, and the natural world collide.
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A review of Laura Grodstein’s “A Dog in Georgia.”
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A review of Daniela Catrileo’s “Chilco.”
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“Monsterland” by Nicholas Jubber examines the social, cultural, and environmental history of monsters.
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Alina Stefanescu’s new collection of poetry, “My Heresies,” is an entirely new feminist text in its own right. Observant, angry, and questioning, Stefanescu’s poems guide readers through the liminal spaces where the sacred and the profane collide.
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A review of Toby LeBlanc’s debut story collection.
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Stacy Jane Grover’s “Tar Hollow Trans” is an essay collection about spending one’s life on the margins.
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David Baldacci’s “A Calamity of Souls” is not merely another stereotypical quick-to-read legal thriller, it is also an uncomfortable reckoning with one of America’s darkest periods and the ideologies America as a whole seems too reluctant to leave behind.
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Nancy Jensen’s novel about a German American family held in an internment camp during World War II is now available in paperback.
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