Wendell Berry’s new collection, “Another Day,” is deeply rooted in agrarian life with untitled poems organized by year and season.
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Wendell Berry’s new collection, “Another Day,” is deeply rooted in agrarian life with untitled poems organized by year and season.
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A review of Alisa Altering’s debut novel “Smothermoss.”
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Casey McQuiston’s “The Pairing” is a fun, sexy read, shiny with the possibilities of traveling with the potential love of your life.
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A review of Tita Ramírez’s debut novel, “Tell It To Me Singing.”
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The posthumous paperback from William Gay, “Stories from the Attic,” is a masterful collection of narratives, memoirs, and musings.
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A review of Katherine Greene’s novel “The Woods Are Waiting.”
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Prepare to be fully immersed in the chaos and lifestyle of the rich and infamous in Emma Rosenblum’s sophomore novel, “Very Bad Company.”
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Rachel Louise Snyder’s memoir, “Women We Buried, Women We Burned,” is about grief and its reverberations, but also about re-making.
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“Linh Ly is Doing Just Fine” possesses a philosophical pizzazz most contemporary fiction lacks, and Linh Ly becomes a heroine for a new generation of multicultural Americans who have struggled to find their place.
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m.s. RedCherries’ collection of poetry and prose, “mother,” is a linguistic and sensory experience.
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