“Project Hail Mary” Shoots Its Shot… and Hits the Mark

A review of the film “Project Hail Mary,” based on the novel by Andy Weir.

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When Is It Okay to Leave Home?: Katherine Packert Burke’s “All Us Saints”

A review of Katherine Packert Burke’s new novel, “All Us Saints.”

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“The Bad Poor” Digs into the Heart of Grit Lit

Mitch Ploskonka traces the rise of Grit Lit, a genre of contemporary literature that grapples “with the sociohistorical baggage of poor white representation.”

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It Was the Future Brewing: On Nancy Lemann’s “The Oyster Diaries”

A review of Nancy Lemann’s newest novel, “The Oyster Diaries.”

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Startling and Sublime: Beth Ann Fennelly’s Micro-Memoirs

Former poet laureate of Mississippi, Beth Ann Fennelly, maven of the micro-memoir, has done it again with “The Irish Goodbye: Micro-Memoirs.”

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The Distance Between the Truth and What We Choose to Believe in “Make Sure You Die Screaming”

Make Sure You Die Screaming by Zee Carlstrom is a delightfully dark thrill ride perfect for a quick weekend read. The “thriller” label is well-earned as Carlstrom’s narrator drags the reader along on a full-fledged crash out that is orders of magnitude beyond the average burnout response. The narrator claims to have “burned [their] entire…

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Homesickness, Grief, and Appalachia in “Small Town Girls”

A review of Pulitzer Prize-winning novelist Jayne Anne Phillip’s new memoir, “Small Town Girls.”

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Girlhood is Something Fierce and Bruising in “I’ll Take My Body To Go”

Girlhood is cracked open to glisten in Kindall Fredericks’ electrifying new collection, “I’ll Take My Body to Go”

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