What is beautiful in the South is reintroduced to the reader of Bradley Sides’ “The Volcano Keeper.”
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What is beautiful in the South is reintroduced to the reader of Bradley Sides’ “The Volcano Keeper.”
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“New Stories From the South” makes its return after a sixteen-year hiatus with a new home at Blair.
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A review of Drew Buxton’s new novel, “Daytona Teddy Riggs.”
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Stephanie Soileau’s new novel, “Should the Waters Take Us,” is an all-encompassing epoch that spans generations, geography, and even climate.
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Mitch Ploskonka traces the rise of Grit Lit, a genre of contemporary literature that grapples “with the sociohistorical baggage of poor white representation.”
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Bleak, clear-eyed, abrasive, and thoughtful stories about the forgotten folks of East Texas.
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Ghosts seem to know better about who we are and what is right in “The Devil’s Done Come Back”
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A review of Melanie Benson Taylor’s “The Weird South: Ecologies of Unknowing in Postplantation Literature.”
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A review of Martha Park’s essay collection, “World Without End: Essays on Apocalypse and After.”
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In New Orleans, floodwaters don’t just expose pipes and studs inside of walls — they can expose family secrets, too.
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