Heather A. Fox examines how white women writers in the South ordered their short story collections to say something about historical events, society or politics in the midst of a racist and male-dominated publishing era.
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Heather A. Fox examines how white women writers in the South ordered their short story collections to say something about historical events, society or politics in the midst of a racist and male-dominated publishing era.
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A review of Jamila Minnicks’ novel, “Moonrise Over New Jessup.”
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Marcia Edwina Herman-Giddens recounts her traumatizing childhood at the hands of a racist, abusive mother during the civil rights movement.
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A review of Terena Elizabeth Bell’s collection of short stories, “Tell Me What You See.”
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A review of Ramona Reeves’ new book, “It Falls Gently All Around and Other Stories.”
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With echoes of regional literary icons James Still and Irene McKinney, Kari Gunter-Seymour’s latest poetry collection will become part of Appalachia’s literary canon.
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A review of Carrie Chappell’s new book of poetry, “Loving Tallulah Bankhead.”
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Rachel Hawkins’ latest novel, “The Villa,” is enticing and psychologically gripping, an intellectual and emotional investment.
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Clint Smith’s “How the Word is Passed” takes readers on a cross-country journey to sites that, just below the surface, harbor hidden histories of slavery.
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Jane Saginaw’s nonfiction debut pairs anecdotes of childhood and world travel to craft a remarkable coming-of-age narrative.
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