A review of Carrie Chappell’s new book of poetry, “Loving Tallulah Bankhead.”
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A review of Carrie Chappell’s new book of poetry, “Loving Tallulah Bankhead.”
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Rachel Hawkins’ latest novel, “The Villa,” is enticing and psychologically gripping, an intellectual and emotional investment.
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Clint Smith’s “How the Word is Passed” takes readers on a cross-country journey to sites that, just below the surface, harbor hidden histories of slavery.
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Jane Saginaw’s nonfiction debut pairs anecdotes of childhood and world travel to craft a remarkable coming-of-age narrative.
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A review of Kate Beaton’s nonfiction graphic novel, “Ducks: Two Years in the Oil Sands.”
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In the short story collection, “Our Sister Who Will Not Die,” Rebecca Bernard explores the darkest innerworkings of her characters while maintaining their humanity.
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The prose of Rebecca Ross’ Elements of Cadence novels is “beautiful, lyrical, with an underlying bite and realness.”
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A review of Ty Matejowsky’s “Smothered and Covered: Waffle House and the Southern Imaginary.”
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A review of Emily Hilliard’s new book, “Making Our Future: Visionary Folklore and Everyday Culture in Appalachia.”
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LaToya Watkins’ debut novel is a multigenerational family drama that illustrates how each of us has the potential to unearth what has buried us.
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