Brandon Taylor’s debut novel, “Real Life,” precisely captures both the dreamy atmosphere and gritty competitiveness of graduate school with stunning grace.
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Brandon Taylor’s debut novel, “Real Life,” precisely captures both the dreamy atmosphere and gritty competitiveness of graduate school with stunning grace.
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A review of McKenzie Cassidy’s debut coming-of-age novel, ‘Here Lies a Father.’
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A review of Angie Thomas’ latest, “Concrete Rose.”
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Taylor Johnson’s “Inheritance” is a collection of poetry of listening and watching.
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A review of ‘Milk Blood Heat,’ Dantiel W. Moniz’s new collection of short stories.
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Larry D. Thacker’s short story collection “Working It Off in Labor County” is tender in its depiction of rural American ennui and mordant in its portrayal of colorful go-getters in a patch of coal country.
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Paula Martinac’s new book, “Testimony,” explores the tension between security and living as one’s authentic self in an oppressive society.
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The new edition of Eudora Welty’s instructive memoir “One Writer’s Beginnings” features an introduction by Natasha Trethewey.
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Ed Tarkington’s new novel “The Fortunate Ones” points out the chinks in the gilded armor adorning – and weighing down – followers of the cult of wealth.
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Addictively readable, Leesa Cross-Smith’s short story collection “So We Can Glow” is the literary equivalent of someone biting their lip and looking up at you.
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