Cults, Climate Crisis, and Community in Delaney Nolan’s “Happy Bad”

What would have felt, twenty years ago, like a fairly extreme climate apocalypse novel reads like tomorrow’s news, or even yesterday’s.

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The Heat of Grief and the Catharsis of Loss in “What Remains After a Fire”

Kanza Javed’s debut burns bright with grief, memory, and unflinching beauty.

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“Witty, Nuanced, and Overall Entertaining”: A Conversation with Wes Browne

If you wanna take a hell-ride into central Kentucky, read Wes Browne’s newest novel, “They All Fall the Same.”

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Tending to the Land: Wendell Berry’s “Marce Catlett: The Force of a Story”

A review of Wendell Berry’s newest novel, “Marce Catlett: The Force of a Story.”

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North Carolina Is Haunted by Its Own History in “The Devil’s Done Come Back”

Ghosts seem to know better about who we are and what is right in “The Devil’s Done Come Back”

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Disability, Grief, and Haunted Indigenous Folklore in “The Whistler”

Nick Medina’s “The Whistler” is an Indigenous horror that pairs the loss of autonomy with paranormal folklore.

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Verdant Leaves and Apples Red as Blood: Austyn Wohlers’ “Hothouse Bloom”

In her debut novel Hothouse Bloom, Austyn Wohlers explores a millennial pastoral through the story of Anna, a former painter in her late twenties who flees home in search of paradise, only to witness its collapse. When Anna learns that her grandfather, Joe, has left her his orchard, she abandons her painting career and moves…

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Dan Leach Explores Y2K Apocalyptic Sincerity in “Junah at the End of the World”

“More than anything, I just wanted to show that, when you think the world is ending, you try to save the ones you love, and you save them with the language that has gained purchase in your mind. The best we can be to each other is sincere.”

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Sarah Pekkanen’s “The Locked Ward” is an Escapist Thriller

A review of Sarah Pekkanen’s new novel, “The Locked Ward.”

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