“Before I became a ghostwriter, the only part of myself I put into my writing, other than trying to make it as good as I could, was whatever I was trying to unearth about my own experience by camouflaging it through my fiction.”
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All articles filed in Fiction
Odie Lindsey: “Home Is People”
An interview with Odie Lindsey on his novel “Some Go Home.”
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Flawed, but Believable: Kristen Arnett’s ‘With Teeth’ Poses Interesting Questions about Identity, Family, and Societal Expectations
A review of Kristen Arnett’s new novel, “With Teeth.”
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Loren C. Steffy’s Debut Novel Highlights the Tug-of-War Between Tradition and Progress
With his debut novel “The Big Empty,” Steffy carves out a niche in the fiction genre and fills it with his insight — enlightening and grim — on the American way of making a living, including the kind involving “coming home caked in sweat and dirt and animal [dung] every night.”
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“The Queen of the Cicadas” Is More than a Ghost Story
V. Castro’s novel “The Queen of the Cicadas” demonstrates commitment to the pulpy heart of horror fiction.
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“Che and the Calaway Girls” and How Conflict Changes Us
A review of Nora Seton’s first novel, “Che and the Calaway Girls.”
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Grady Hendrix on Horror, Survival, and “The Final Girl Support Group”
An interview with Grady Hendrix on “The Final Girl Support Group.”
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“The Sweetness of Water” is an Engaging and Deep Exploration of Individuality and the Meaning of Freedom
A review of Nathan Harris’ debut novel “The Sweetness of Water.”
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Jason Mott on Balancing a Novel, Identity, and Real and Imagined Lives
An interview with Jason Mott about his new novel “Hell of a Book.”
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Dysfunction, Redemption and Family in “Olympus, Texas”
Stacey Swann’s debut novel, “Olympus, Texas,” is a modern reimagining of some of the myths about the gods of Mount Olympus, set in a rural Texas town.
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Southern Review of Books 