A review of Duy Đoàn’s collection of poetry, “Zombie Vomit Mad Libs.”
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A review of Duy Đoàn’s collection of poetry, “Zombie Vomit Mad Libs.”
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A review of “Half-Lives” by Lynn Schmeidler.
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Docile, a memoir by Hyeseung Song, perfectly encapsulates the generational trauma of the immigrant experience.
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The breadth of these poems opens us to the resiliency and strength of a woman’s voice.
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A review of Rachel M. Hanson’s memoir, “The End of Tennessee.”
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A review of M.L. Rio’s sophomore novella, “Graveyard Shift.”
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Amy Stuber’s binge-worthy story collection is a perceptive, inventive, surprising, and deeply humane debut.
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A review of poet Lyndsay Rush’s collection, “A Bit Much.”
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Generally short in length, the tales primarily comprise pivotal or fond moments from Carden’s boyhood, memories of his family members, and reflections — piecing together what was, what is now, and what he has realized along the way.
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A review of Laura Leigh Morris’s novel, “The Stone Catchers.”
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