A review of Josh Howard’s “Hell’s Not Far Off,” which tells the story of Appalachian labor activist Bruce Crawford.
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A review of Josh Howard’s “Hell’s Not Far Off,” which tells the story of Appalachian labor activist Bruce Crawford.
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Laura Apol’s latest collection, “Cauterized,” is an invitation to closer observation.
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AE Hines’ poetry collection is a personal, direct exploration of geography, nature, queer love and the Eden one creates through self-love and self-acceptance.
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A favorite writing teacher, one particularly enamored with short stories, once told me never to approach a collection with the expectation that all, or even most, will be good. He’d said one, two tops, is all you can reasonably ask for. Not every story in “Sex Romp Gone Wrong” carries emotional heft or grace, but a surprising number of them come close and are destined to be read again and again.
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A review of “Vibe: The Sound and Feeling of Black Life in the American South” by Corey J. Miles.
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From the first lines of The Turtle House, debut historical fiction author Amanda Churchill signals how she plans to spin her masterful family saga from prewar Japan to late 20th Century Texas ranch country. Curtain, Texas March 1, 1999 Paper hates water. It hates wind. And fire. Paper falls apart. There is no home safe…
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From philosophy, to film, to hip-hop, this collection is ripe with references and reflections.
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A review of the film “Desperation Road,” based on the novel by Michael Farris Smith.
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A review of Kiley Reid’s new novel, “Come and Get It.”
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Rose McLarney’s poetry collection reckons with aging, memory’s unreliability and the female experience.
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