A review of Anna Rollins’ memoir, “Famished.”
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A review of Anna Rollins’ memoir, “Famished.”
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A review of Kristi DeMeester’s eerie, propulsive novel, “Dark Sisters.”
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A review of Artis Henderson’s second nonfiction book, “No Ordinary Bird.”
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Ayana Gray’s “I, Medusa” is full of complicated women with rich personalities who exist in a gray area.
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Thomas Dann’s debut is much more than a typical whodunit.
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Through interwoven narratives, Hutton uncovers how leaving can be an act of love, growth, and self-discovery, especially between mothers and daughters.
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“Beard: A Memoir of a Marriage” by Kelly Foster Lundquist threads religion, sexuality, identity and acceptance.
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A review of Christopher Brown’s “A Natural History of Empty Lots,” which records Brown’s exploration of the murky lines between “nature” and “civilization.”
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Eliana Ramage has a knack for crafting complex characters and capturing the human experience.
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What would have felt, twenty years ago, like a fairly extreme climate apocalypse novel reads like tomorrow’s news, or even yesterday’s.
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