Ghosts seem to know better about who we are and what is right in “The Devil’s Done Come Back”
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Ghosts seem to know better about who we are and what is right in “The Devil’s Done Come Back”
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A Review of Max Marshall’s “Among the Bros: A Fraternity Crime Story.”
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A review of Elena Sheppard’s memoir, “The Eternal Forest.”
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Nick Medina’s “The Whistler” is an Indigenous horror that pairs the loss of autonomy with paranormal folklore.
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A review of Ashley M. Jones’ new poetry collection, “Lullaby for the Grieving.”
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In their poems, Jane Morton finds incredible strength and beauty in being cracked open, shedding what no longer serves in order to become something new.
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In her debut novel Hothouse Bloom, Austyn Wohlers explores a millennial pastoral through the story of Anna, a former painter in her late twenties who flees home in search of paradise, only to witness its collapse. When Anna learns that her grandfather, Joe, has left her his orchard, she abandons her painting career and moves…
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A review of Alicia Wright’s August 2025 poetry collection “You’re Called by the Same Sound.”
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A review of Stacy Willingham’s “Forget Me Not.”
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A review of Sarah Pekkanen’s new novel, “The Locked Ward.”
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