Alina Stefanescu’s new collection of poetry, “My Heresies,” is an entirely new feminist text in its own right. Observant, angry, and questioning, Stefanescu’s poems guide readers through the liminal spaces where the sacred and the profane collide.
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A review of the film “Sinners,” written and directed by Ryan Coogler.
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Rosa Castellano’s All in the Telling provides one of the most thought-provoking explorations of biracial life in recent memory.
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A review of “The Bright Years” by Sarah Damoff.
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Originally written as a series of interconnected flash fiction pieces, Lucy Rose’s “The Lamb” is a folk horror novel at its sinister heart.
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A review of Carolyn Nur Wistrand’s play, “She Danced with a Redfish.”
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The codes of masculinity, gay or straight, play an important role in “Fantasies,” which draws upon moments of historical change to reveal the precarious position of the Black gay male at the turn of the century.
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A review of “The Essential C.D. Wright,” a collection of excerpted works by C.D. Wright, edited by Forrest Gander and Michael Wiegers.
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A review of “Nightshining” by Jennifer Kabat.
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A review of Toby LeBlanc’s debut story collection.
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Southern Review of Books 