Alina Stefanescu’s new collection of poetry, “My Heresies,” is an entirely new feminist text in its own right. Observant, angry, and questioning, Stefanescu’s poems guide readers through the liminal spaces where the sacred and the profane collide.
Read More
Originally written as a series of interconnected flash fiction pieces, Lucy Rose’s “The Lamb” is a folk horror novel at its sinister heart.
Read More
A review of Carolyn Nur Wistrand’s play, “She Danced with a Redfish.”
Read More
The codes of masculinity, gay or straight, play an important role in “Fantasies,” which draws upon moments of historical change to reveal the precarious position of the Black gay male at the turn of the century.
Read More
A review of Ariel Gore’s memoir, “Rehearsals for Dying: Digressions on Love and Cancer.”
Read More
In the spirit of Jane Kenyon, Mary Helen Callier’s poems inhabit spaces of tension. The body, landscape, and time all become sites of reckoning.
Read More
A review of Gabriel Fried’s poetry collection, “No Small Thing.”
Read More
A review of “Attached to the Living World: A New Ecopoetry Anthology,” edited by Ann Fisher-Wirth and Laura Gray-Street.
Read More
Tsang has wonderful use of language and metaphor, melding together honest trains of thought and poetic emotion reminiscent of Ocean Vuong.
Read More
Reading Written in the Waters by Tara Roberts was a profound emotional journey into the heaviness of the past and how history moves fluidly into the beauty and problems of the present.
Read More
Southern Review of Books 