A review of Melanie Benson Taylor’s “The Weird South: Ecologies of Unknowing in Postplantation Literature.”
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A review of Melanie Benson Taylor’s “The Weird South: Ecologies of Unknowing in Postplantation Literature.”
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A review of Jess Smith’s poetry collection, “Lady Smith.”
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Alina Stefanescu’s new collection of poetry, “My Heresies,” is an entirely new feminist text in its own right. Observant, angry, and questioning, Stefanescu’s poems guide readers through the liminal spaces where the sacred and the profane collide.
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Originally written as a series of interconnected flash fiction pieces, Lucy Rose’s “The Lamb” is a folk horror novel at its sinister heart.
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A review of Carolyn Nur Wistrand’s play, “She Danced with a Redfish.”
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The codes of masculinity, gay or straight, play an important role in “Fantasies,” which draws upon moments of historical change to reveal the precarious position of the Black gay male at the turn of the century.
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A review of Ariel Gore’s memoir, “Rehearsals for Dying: Digressions on Love and Cancer.”
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In the spirit of Jane Kenyon, Mary Helen Callier’s poems inhabit spaces of tension. The body, landscape, and time all become sites of reckoning.
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A review of Gabriel Fried’s poetry collection, “No Small Thing.”
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A review of “Attached to the Living World: A New Ecopoetry Anthology,” edited by Ann Fisher-Wirth and Laura Gray-Street.
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