The New Orleans literary landscape is rich, but Brooke Champagne’s memoir fills a gap in the Big Easy canon.
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The New Orleans literary landscape is rich, but Brooke Champagne’s memoir fills a gap in the Big Easy canon.
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Rahul Mehta’s new poetry collection closely examines lived experience by way of metaphor, narrative, juxtaposition and observation.
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“Pilgrims 2.0” is a stunning portrayal of desperation that holds buoyancy in its empathy and finds brutality in asking where the line of violence is drawn or if, perhaps, the line has been drawn too late.
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Laura Apol’s latest collection, “Cauterized,” is an invitation to closer observation.
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A favorite writing teacher, one particularly enamored with short stories, once told me never to approach a collection with the expectation that all, or even most, will be good. He’d said one, two tops, is all you can reasonably ask for. Not every story in “Sex Romp Gone Wrong” carries emotional heft or grace, but a surprising number of them come close and are destined to be read again and again.
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A review of “Vibe: The Sound and Feeling of Black Life in the American South” by Corey J. Miles.
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From philosophy, to film, to hip-hop, this collection is ripe with references and reflections.
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A review of the film “Desperation Road,” based on the novel by Michael Farris Smith.
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A review of Kiley Reid’s new novel, “Come and Get It.”
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Rose McLarney’s poetry collection reckons with aging, memory’s unreliability and the female experience.
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